Reason vs MixCraft vs Reaper

Originally Posted 2015

Upper management decided that due to the fact I’m a dinosaur I have to look at a DAW as I tend to do a fair bit of composing/engineering here at home on the analogue synth’s then send the stuff off to the studio for final processing. That said, it was suggested I look at a DAW, that way I can (or should I say “THEY CAN”) find it easier to manipulate so the end product is easier to sort.
If you know me you’ll already know my opinion on suits so I won’t bother going in to that again, I’ll just be doing a comparison between the three DAW’s that are in the title. Now personally, I hate them (DAW’s that is). No let me rephrase that I tolerate them, as I find it easier to find the sound I want by turning a knob or pushing a slider than waving a computer mouse around. But to get them to shut the (insert expletive) up I’ll be comparing three. Propellerheads Reason 7.1, Acoustica’s MixCraft Pro 7 and Cocko’s Reaper Version something that escapes me and publishing my thoughts here just to prove to those who pay me I have actually looked at them 😉 it’s not going to be a real super in-depth review, just my personal view so take it or leave it.
So me being me – captain negative bastard, I\’m going to start with the con’s as I found them, the computer I’m using them on is a Windows 7 64bit system with a dual core cpu and eight gig of ram. Apart from that I’m computer knowledgeable but far from a geek – so on to it.
Reason: No support for VST’s which is madness in this day and age as Arturia do some brilliant stuff and I actually enjoy tinkering with Korg’s Legacy, but neither will work in Reason so that to me is a big no major failing.
MixCraft: Regularly crashes due to the fact that a lot of VST’s are 32bit and from my understanding they themselves acknowledge the issue. Sadly a lot of the better VST’s are 32bit and they aren’t being ported to 64bit so if this issue will ever be sorted who knows. I’ve actually had it lock up my machine to the point where CTRL/ALT/DEL don’t even work so a forced restart is needed.
Reaper: I found I had to troll through too many drop downs to get to what I wanted, whether that was a VST a filter or an FX.
Now as for the good bits, I’ll start with midi. All three found what I have plugged in at the moment, the Moog Little Phatty, Roland RS and Korg MS2000 which run through an E-MU 2X2 well the Moog has a USB also so – they also found the Arturia Beatstep and Keylab 61 but that would be expected considering the latter two bits of hardware are essentially made for DAW’s.
As for audio in, I run everything that isn’t midi capable e.g. the modular, guitars, voices etc through a Behringer mixer, I also run the three listed synths through it too as I find there are sounds there that just aren’t available and I just couldn’t be bothered hunting for a similar sound in the DAW’s (yes there’s the dinosaur again).
Reason finds audio in (I use ASIO) without a single hiccup, both Reaper and Mixcraft took a bit of dickin’ about. I actually gave up with Reaper, it used to work but for some reason it now refuses to. Mixcraft however was happy enough to find the audio but the volume was so low and the help files were too vague so I gave up on that too.
Exporting audio, now personally I like Mixcraft for that as you get a number of choices be it FLAC or WAV or MP3, why anyone would export a serious file as an MP3 escapes me but ehh it’s there.
Midi: All three seem to take midi files without argument, in Mixcraft you even have the choice of seeing it in the midi edit feature as a score (I compose some really complex stuff at times – scary) which is a real treat, BUT that’s as far as it gets, either I missed something or Mixcraft can’t handle automation, tempo etc. a good example would be Rossini’s ‘Dawn’ from the William Tell overture. The time sig is 3/4 and the tempo is from memory 54 or there abouts. Loading my comparison midi in to Mixcraft saw it tag the time sig as 4/4 and 120bpm ermm not quite right is that, Reason and Reaper handled it fine. As far as editing a midi file I must honestly say you can’t go passed Reason, both Mixcraft and Reaper were too frustrating – as they say less is more and Reason has that.
Addons: Reaper and Mixcraft make use of VST’s along with inbuilt stuff so essentially your bank of instruments is all but endless oh and Mixcraft also has Izotope Mastering Essentials which I happen to like. Reason on the other hand does come with a fair bit but to get the most out of it you have to obtain refills and and rack extensions which can become expensive.
End Bit: Which one is the better? None really (oops the dinosaur’s back) but I suppose I have to pick one. Reason has its stability, Mixcraft looks and feels better and the ability to utilise the squillions of VST’s out there, Reaper is cheap hmmmm a toughy. I think I’ll have to lean toward Reason only because of its stability, if Mixcraft was more stable or the 32bit/64bit issue wasn’t then I’d be leaning toward that instead. If I had to give them a rating out of 10, Reason would get an 8, Mixcraft a 7.90 and Reaper a 6.5.

Top 50 Iconic Songs

Originally Posted 2016

Some fella by the name of Dr Mick Grierson, from Goldsmiths, University of London used some form of mathematical/computational theory whatever to come up with the top 50 iconic songs and what a crock of shit his end list is. Looking through the list I could probably agree with two or three, the rest are just pure crap down to and including a sodding cover song – shit if you’re going to call a song iconic, at least credit it to the original artist.
Anyway, I (amongst probably 1,000’s of other bloggers) have decided to create my own top 50 iconic songs and if you don’t agree with me then tough shit, do I look like I give a fuck?

They’re not in any particular order, just as they come to mind.

White Christmas – Bing Crosby
32-20 Blues – Robert Johnson
Seasons of Change – Blackfeather
Stairway to Heaven – Led Zeppelin
Bohemian Rhapsody – Queen
Smoke on The Water – Deep Purple
That’s Amore – Dean Martin
My Way – Frank Sinatra
In A Gadda Da Vida – Iron Butterfly
Paranoid – Black Sabbath
Toys in the Attic – Aerosmith
School’s Out – Alice Cooper
Death Walks Behind You – Atomic Rooster
Can’t get Enough – Bad Company
Most People I Know (Think That I’m Crazy) – Billy Thorpe & The Aztecs
21st Century Schizoid Man – King Crimson
In For The Kill – Budgie
You Are The Sunshine of my Life – Stevie Wonder
White Room – Cream
She Loves You – Beatles
Riders on the Storm – The Doors
For Your Love – The Yardbirds
Brown Sugar – Rolling Stones
Over the Rainbow – Judy Garland (although I prefer Billy Thorpe’s version)
Heart of the Sunrise – Yes
Pictures at an Exhibition – Emerson, Lake and Palmer
Billy The Mountain – Frank Zappa
Wishing Well – Free
Child In Time – Deep Purple
Iron Man – Black Sabbath
Be My Lover – Alice Cooper
Satisfaction – Rolling Stones
Babe – Styx
Back in to the Future – Man
Gypsy – Uriah Heep
Thick as a Brick – Jethro Tull
Race With The Devil – Gun
Mesmerisation Eclipse – Captain Beyond
Breadfan – Budgie
Us and Them – Pink Floyd
Julia – Pavlov’s Dog
Aqualung – Jethro Tull
All Right Now – Free
Atom Heart Mother – Pink Floyd
Sheer Heart Attack – Queen
Wish You Were Here – Pink Floyd
Journey to the Centre of the Earth – Rick Wakeman
Cross Road Blues – Robert Johnson
Bloody Well Right – Supertramp
Fantastic Piece of Architecture – Bloodrock

Well that’s my 50, it could easily be 100 but hey Grierson started it!

Auctions, a Bargain? No

Originally Posted 2016

I regularly wander auction company listings looking for keyboards/synths but usually never see any so it’s back to eBay to troll the never ending shite and bullshit prices. Let’s look at say a Korg Kronos 88 – retail is around the $5,500 mark +/- a bit and what is eBay full of? Yep new Korg Kronos 88’s for that price. I’m confused, where is the bargain that an auction is supposed to bring, sure as hell not anywhere near advertisers of Korg Kronos’.
That’s the new stuff what about ‘vintage’ and I use the term loosely. Let’s look at ermm a Korg M1 there is one retailer/spammer on eBay who seems to think they’re worth a small fortune (or their ego is as inflated as their prices on all their stuff which is fucked up) as in $500 to $600+. My personal opinion on the M1 is one of “BLEH” if you want something like that get a T2EX, but I digress. Other sellers look on eBay to see how much they’re selling for, see this idiots pricing structure and follow suit – my response to that is “BAHAHAHA you cretins!” As far as I’m concerned a mint and I mean MINT M1 is worth no more than $350 as they aren’t a rare piece of kit, and if you don’t like my offer then piss off I’m not that fussed.
There was one there the other week that had a dead keybed, broken keys and a fading screen and they wanted $300 as a starter – give me a break sheesh.
It seems to me that if you put the words keyboard and synthesizer together people assume they’re on a winner – you know the type, find a cheezy Casio at a garage sale for ten bux, take it home, grab a few snaps and stick it on eBay for ten or twenty times the price when in reality the damn thing is a door stop, nothing more nothing less.

Ehh I’m bored now, rant over 😉

Asturcon BB-4

Originally Posted 2013

Decided to restore the Asturcon bass, but upon inspection I found that the damn thing has been painted a million times and it\’s going to take me a million times longer than I’d hoped/wanted but in saying that it’s going to look just the way it’s supposed to.

Couple of things I’ve noticed, firstly the two ebony strips that run down the centre had been filled and the whole thing had been re-sealed with enough fibreglass resin to keep a ship afloat which is a serious annoyance as although it\’s basswood, a wood that has tight grain it can be made to look great, it just takes a little care and patience, something the previous owner obviously didn’t have, hence the glass resin over factory paint over glass resin�- no doubt used to fill imperfections.

Secondly the neck pocket had a badly cut 2mm thick piece of pine glued in to it, this just popped out with some gentle persuasion, and apart from making the neck sit higher in the pocket I can’t see why it was there. It’s gone now so time will tell, that is if it sounds crap then maybe I’ll need to put it back but I still can’t work out the reasoning behind it as the neck now sits better and lines up better? Maybe idiots should leave guitars alone instead of trying to make a silk purse out of a sows ear and accept them for what they are e.g. you get what you pay for.

Obviously, this guitar had seen better days, and probably numerous owners. It sounded fine but looked crap so fingers crossed it will again look and sound the way it should.

Online Auctions

Originally Posted 2012

As is my want, I spend alot of time wandering online auctions and wholesale sites mainly because I have this continual thought that maybe I might be lucky enough to fall over a bargain. Now of late all I can honestly say I’ve fallen over is total crap, crap as in sellers and whiney buyers – I shall elaborate.
Now I bought a set of Lucas knock off blinkers for the Bonneville off eBay and yes they didn’t arrive, neither did the replacement set they said they sent hmmmm methinks they are trying to take me for a ride – one Paypal refund later and that’s them sorted. Bought another set of Lucas knock off blinkers only these were dearer but I’d dealt with the seller before, anyway within 2 days I get an email saying that one of the blinkers wasn’t up to scratch and the shipping had been delayed by a week. Funny thing is, I got that same email off em when I bought the other set *pondering the significance of such a statement* – anyhoo I sent them an email and told em unless I get by the 2nd March I’ll be requesting a refund.
It gets better ya know 😛 I also bought a studio mic pop filter and seeing as I was bored and it was coming up on week three I sent that seller an email asking where it was. Their response? Well it can take up to 40 days for the item to arrive. 40 days????????? where the fuck is it coming from, or more to the point do they feed the pigeons before attaching the items to their legs and sending em on their merry way – 40 days my arse, they also got the 2nd March deadline. I did however buy a bass guitar from Melbourne, took 5 days to arrive – I unpacked it and inspected it and it looked sweet. Plugged it all in, tuned it then went to do summut, came back an hour later to have a muck about with it and damn near sliced me hand on the bloody great split in the neck – I swore, as you do!! I will give the seller their due, I emailed em, they sent me a prepaid post thingy and said send it back and we’ll give you another, cool now I just wait – again!
Now I did mention whiney buyers too and this was pure 100% classic. A nob head bought a Fender Strat for $325 inc postage ermmm I was pretty sure Strats were a little more expensive, but I digress. The site has a feedback section so I thought I’d check the seller out and what do I find, yep Captain Whiney Buyer Shit Head. And this was his feedback “This guitar is a fake, they sold me a fake, I want my money back” ROFLMFAO I think the price is a giveaway YOU DICK!! Anyway, here are a few recommendations from yours truly of eBay sellers that in my opinion are bloody good sellers. ccslightsound – I bought a Behringer 1002FX Mixer, a Behringer C1 Studio Mic and a Behringer UCA202 off this seller and talk about good comms and delivery time. BelfieldMusic – Bought a triple guitar stand off them Oz-Supplier – That was the bass Pick_Guru – bought a 100 mixed medium weight picks and a guitar strap for Dylan who got himself a strat copy and amp, case etc. Swamp-Industries – bought various studio cabling off them Jackmusical – bought a basic acoustic guitar rebuild kit for her who must be obeyed, she’s had the thing for nigh on 40 years so I thought I’d tidy it up for her, she can’t play it but her dad bought it for her so that’s a good enough reason. There are a couple more that I won’t add just yet as I’ve only just started dealings with them, although one of em is proving to be a nob head already so we’ll see.’

A Serious Rant, or Bloodrock ‘n Rolled!!

Originally Posted 8/5/10
Bloodrock ‘n’ Rollin’ – from go to whoa and all points in between.
Searching for Bloodrock on the Internet in the early to mid 90 ‘s was like searching for the proverbial needle. Nothing apart from badly written or researched reviews existed on the band that as far as I ‘m concerned was one of the most progressive of their era. Having just walked away from a GFR web site (politics saw its demise) I decided to devote more time to this virtually non-existent Bloodrock site I ‘d (along with Roy Long) been toying with. Basically it started off as did the GFR site, as nothing more than a dedication to the band but something happened that took me and I dare say Roy by surprise, it took off like all get out! The decision was made to move it to a decent server and expand on it. I looked into obtaining Bloodrock.com but was beaten to it by someone in New York (from memory) who was essentially holding the name for ransom or so I ‘d been told (the last I heard, Jim Rutledge was chasing this up) so we opted for Bloodrock.net which is when the fun really began. A decent host meant being able to add more features, such as a forum etc. It was around this time (late ’97) that Ed Grundy contacted me to express his views and concerns. His major concerns were copyright issues and were we in it for the money, or was I just a ‘Fanatical fan with perhaps a wee bit too much time on his hands – the copyright fears were soon put to rest and we went on to have a great working(?) relationship, Ed’s input was invaluable.

Of all the band members, Ed, Steve, Lee and Rick were the most approachable, and having the chance to speak by phone with Steve and Lee was nothing more than a treat in itself (one has to remember I am 10,000 miles away from DFW) and something I ‘ll remember for the rest of my life. As the site grew with content, so did its user base – at one stage passing the 1,500 mark. IRC chat sessions were the next big idea; bring in a band member for the fans to chat to. A successful exercise? Some may think so; I was never satisfied with the lack of enthusiasm from the fans when it came to these chats. When the idea was first floated the response was massive so the first chat session was organised with Ed, and we sat in IRC waiting for the rabble to invade – I think it reached ten users, I should have looked at that as a pre-cursor of what was to come. Along with the chats with Ed, Steve and Lee (With Rusty) dropped by but it seemed like the fans that filled the guestbook with comments of ‘undying loyalty ‘ chose to stay away. Why I ‘ll never understand, but again it raised the spectre of a fan base that preferred to either pay lip service or the anonymity the web. Content for the site was hard if not impossible to come by. Band member bios proved a most difficult task. Ed, Steve, Lee and Rick, again came forward with their biographies but Nick Taylor and Jim Rutledge seemed to be completely unapproachable (once again) – I was starting to get the feeling of ‘politics.’ I can ‘t continue without saying ‘thanks ‘ to those that did supply content for the site, it wouldn’t have gotten anywhere without that handful (and I mean handful) of ‘truly’ dedicated fans.

During the early period of the site, we sold (or tried to) T-Shirts simply to assist with the overall running costs. We weren’t interested in profits, damn this was Bloodrock this was the band that didn’t deserve the bulk of the crap that the media of the time had covered them in. Did these custom T-Shirts sell? No! Actually I think we may have sold two or three, or did we give them away, I can ‘t remember – but one thing was for sure, the fan base was still only paying lip service. Although he’d probably be the first to say his part in the Bloodrock site was a trivial one, I couldn’t have done any of what I wanted to without Roy Long. I put the T-Shirt design together and Roy organised the printing, that ‘s only a very minor piece of input from him, his input was continuous and greatly appreciated. As we entered the early to middle half of ’98 the idea for the convention was tossed around with the regulars in IRC so, I posted a message on the front page of the site requesting expressions of interest from fans who may be willing to attend such a thing. My mailbox was continually filling up with responses – ‘I ‘ll be there ‘ or ‘try and keep me away ‘ – you know the type. At a blind guess, over a period of two or three months I must have received at least four hundred ‘yes I ‘ll be there ‘ emails, as for how many Roy received I ‘ve no idea. It was mentioned to me that I shouldn’t expect Jim Rutledge to appear at the convention, not unless I was willing to roll out the red carpet and a limo. I laughed at that, but in hindsight should have taken it as a warning of sorts.

This may seem irrelevant to the web site but as far as I ‘m concerned it isn’t, as it ‘s this period that was to herald the beginning of the end. During this period, I was approached to assist a local bands vocalist – he could sing, but needed a little guidance. Their manager then asked if I knew a producer to assist with the recording of their first album, not a local one, someone with an overseas name so I approached Ed and Steve who both for reasons of their own couldn’t take the job so in IRC with the now current site webmaster I mentioned my predicament and he suggested someone to contact. A deal was struck to bring a ‘name producer’ here to Australia, record the album, and then it went on from there. To cut a rather long story short, the bands manager stiffed me for near $1,500, ripped the band, a recording studio and a music store off and left me looking like an idiot in front of this ‘big name’ producer, who’s supposed deal had now just gone down the drain, an ominous silence was now creeping in from the main players in the Bloodrock site, coincidence? I ‘ve never been able to shake the feeling it wasn’t – the Bloodrock web site was now in its death throws.
The convention was drawing near and to quote Rick Cobb in an email conversation with him about it, ‘The fact that no one came forward to act as your right hand man, someone who could physically go hobnob and hustle the business of organising something as tricky as a convention for hundreds of people is probably the main reason the convention is in jeopardy.’ I was at a loss, we through the Bloodrock site had organised a venue that we ‘d been told was a decent one, the local bands had been organised and the prizes had been forwarded on (they subsequently vanished prior to the event). The convention was a great idea; I just wish someone else had had it. I copped nothing but flack over its failure, and still feel well let down by the Bloodrock sites fan base and their lip service – the Bloodrock site was now near DOA. This spectre of politically motivated doom was now hovering low overhead. During all this the Tribute CD was quietly running along. Bands such as Fantasy Factory had sent in some truly excellent covers of Bloodrock material, but why has everyone suddenly gone quiet? Numerous emails went out from me but never once did I receive a response in regards to it and if I did it would have been a trivial one or I ‘d have remembered. As with the convention, all profits were to go to charity, but I got the distinct impression that some people thought we were going to make a bundle from this CD, “NOT SO ” but I continued trying to get this CD off the ground – I owed the artists who took their time and money to record the Bloodrock covers at least that. In its last twisted blood spattered guise, the Bloodrock site received a welcome injection from Ray Brooks, a friend of the band members from their ‘Naturals ‘ period, and a gold mine of trivial information. Unfortunately illness closed this chapter and sadly he passed away. The ‘Reminiscence with Ray ‘ page, saw the light of day for a very short period. Bloodrock – Behind The 8 Ball, the Fan Collection Vol 1. A compilation/best of CD that we had the members of the site vote on for the tracks that should be included. Its 12 tracks spanned from the first album through to Passage. Its sarcastic cover, an eight ball floating in space echoed the way I thought Bloodrock was treated by record companies and media alike. I tried to get that launched, I was even willing to put up some of my own money but it too fell on deaf ears so was shelved, although somehow one of the few (dunno who) who had the preview copy has leaked it to the internet as a bootleg. I sent more emails about the tribute CD, which again appeared to fall on the same deaf ears or disappear into the void; I was still receiving hate mail for the failed convention, I ‘d had enough, I wanted out, I took it by offering the site to its current webmaster. Would I do it again? I seriously doubt it, though if the band as a whole were willing to contribute on a fairly regular basis, perhaps I might. They as a unit have to remember (though it seems Rick does prefer to forget) that they created the monster that is Bloodrock, the fans just followed like screaming 17th century townsfolk howling for the blood of the ego. This may appear to be a piece penned by someone with a giant chip on their shoulder – not so. I ‘m just disappointed that regardless of the amount of effort someone puts in to something, there are always those that are ready to drag it down with innuendo, sarcasm or plain back-stabbing.

Now This Is Pleasing To See

Originally Posted 11/7/07
The Bloodrock DVD and Stevie Hill’s solo album “Avalanche In Reverse” are now for sale at the Official Stevie Hill Website
For those that can remember back that far, Bloodrock kicked some serious rock butt – it’s a pity that the music critics of the day didn’t know their arses from their elbows and canned Bloodrock regularly and in my (and thousands of others) opinion couldn’t have been too bright if they couldn’t see how technically brilliant the band was. I think I better stop now or some critic from the day might come n get me and try to beat me up the head with his zimmer frame.
Also available as I’ve said is Stevie Hill’s solo “Avalanche In Reverse” I had the opportunity to hear a few tracks that made the album and for those that aren’t Bloodrock fans (It’s a must for you lot) you will find Steve’s writing as good if not better than the Bloodrock days, although Fantastic Piece Of Architecture is gunna be a toughy to beat 🙂 (sorry Steve, that’s a given buddy, you know my thoughts on that track).
So whatchya waitin for, go buy ’em

RIP Billy Thorpe

Originally Posted 28/2/07
Sad news, the passing of one of rocks greatest. Billy died from a massive heart attack today 28th Feb. Another great for that rock n roll band in Heaven.